Falstaff and The Joker
SUBsegment 6: A Brief History of the Super-hero as Protagonist In an earlier times we would have no doubt had this discussion solely about anti-heroes. We would have talked Falstaff […]
SUBsegment 6: A Brief History of the Super-hero as Protagonist In an earlier times we would have no doubt had this discussion solely about anti-heroes. We would have talked Falstaff […]
Segment 6: The Importance of Your Antagonist I’ve gone on to such lengths about the protagonist and how to write her because I believe so stridently in the importance of […]
Segment 5 Moving from Skepticism to Conviction: (31) To keep the segment title in a manageable length range, I did not write it in the clearest fashion possible. It should […]
NOTE: A few words, first, about the idea of reviewing unproduced screenplays. This topic has been debated beyond sense and I will only address the topic this one time. After […]
Segment 4: The Artist’s Contract with her Audience: We agree to view what you make as Art as long as you understand that we want to see ourselves in the […]
Segment 3: Creating the Perfect Imbalance between Skill and Motivation Now that you know what you’re trying to achieve, how do you go about achieving it? Break the events of […]
Remember back to what you were thinking during There Will Be Blood just after the well has exploded and taken HW’s hearing with it. If you’re anything like me, you […]
Segment 2: Finding the Right Protagonist Now that you’ve determined your theme, and sanded it until it will fit on an average sized bumper sticker, what do you do next? […]
I read the script for this movie over a year ago. I did not like it at all. I thought it was a mediocre effort from brothers with more writing […]
On Objection Two aka The Heisenberg’s Matrices Objection This objection turns on the idea that life is random or: Nothing happens for a reason. But wait… isn’t that a… theme. […]